Scenario Recipe Pack V1
FX6 Scenario Recipe Pack V1
Extraction from FX6 Cine EI Muted-Color Shooting System - Working Baseline
| Control Note: Derived extraction document. Source project: FX6 Final Audio Settings + Cine EI Muted-Color Shooting System. Source document chain: Canonized Master TOC and Handbook V1.0 plus current Working Baseline used as extraction source. Canon source untouched. Operational audio setup is deferred to the external FX6 Audio Field Setup Guide. Pages 381-384 of the working source are ignored for extraction work. |
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| Control Item | Status / Use |
|---|---|
| Purpose | Fast starting recipes for common FX6 shoot situations. |
| Scope | One-person actor reel, two-person dialogue/interview, exterior dialogue, documentary sit-down, documentary run-and-gun, and offload/import/proxy/archive. |
| Source refs | Summary Guide Section 10 and related Handbook areas: pp. 68-127, 171-240, 241-339, and Appendices D-K. |
| Master Field Rule: Expose cleanly. Light selectively. Monitor accurately. Record clean S-Log3. Grade carefully. Do not underexpose S-Log3 to create mood. |
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Manual Table of Contents
| Section | Recipe |
|---|---|
| 1 | Universal setup logic |
| 2 | Universal stop conditions |
| 3 | One-person actor reel - indoor |
| 4 | Two-person dialogue or interview |
| 5 | Exterior muted-cinematic dialogue |
| 6 | Documentary sit-down |
| 7 | Documentary run-and-gun |
| 8 | Offload / import / proxy / archive |
| 9 | First 60 seconds on set |
| 10 | Troubleshooting crosswalk |
| 11 | Source map |
1. Universal Setup Logic
Each recipe uses the same operating skeleton. The specific scene changes the priority, but the control order remains consistent.
Confirm Cine EI and S-Gamut3.Cine/S-Log3.
Choose frame rate and normal shutter.
Choose aperture for the scene and focus reliability.
Choose Base ISO based on available or controllable light.
Use ND to place exposure after shutter/aperture are correct.
Set and lock white balance under the actual key light.
Set monitoring LUT and verify Internal Rec MLUT status.
Check exposure with waveform and zebras.
Check focus with magnifier/peaking/near-eye rule.
Confirm audio through the external Audio Field Setup Guide.
Record and play back a 10-second test before serious takes.
2. Universal Stop Conditions
| Stop if... | Corrective action |
|---|---|
| Audio not verified through the external guide. | Stop and perform the external audio routing/meter/headphone checklist. |
| Focus not checked on critical subject/near eye. | Use magnifier/peaking/AF check and recheck after movement or zoom. |
| Waveform/zebras not checked. | Do not rely on LCD brightness; confirm exposure truth. |
| Internal Rec MLUT status not verified. | Confirm whether you are recording log or deliberately baking LUT. |
| White balance is drifting or uncertain. | Disable ATW for controlled work; lock A/B/Preset under key light. |
| Card/reel identity not logged. | Log project, reel/card ID, and starting clip before proceeding. |
| No 10-second test playback before important work. | Record and review a technical test. |
3. Recipe: One-Person Actor Reel - Indoor
| Decision area | Recipe action |
|---|---|
| Primary objective | Sell performance clearly. The look must support the actor. |
| Camera setup | Use Indoor Cine EI card; record S-Gamut3.Cine/S-Log3; normal 24p shutter. |
| Base ISO | Prefer 800 when key light can be controlled. Use 12800 only when light cannot reasonably be added. |
| Aperture / focus | Close-up f/2.8-f/4 if focus is reliable; near eye is priority; recheck after reframing. |
| Lighting | Readable face, eye detail, restrained background. Negative fill for shape if the room is flat. |
| Palette | Mute background and wardrobe without deadening skin. |
| LUT | Monitor LUT On if useful; Internal Rec MLUT Off by default. |
| Audio | External Audio Field Setup Guide controls all wiring/routing/testing. |
| Test | Record/review 10-second technical test for face, eyes, focus, audio, and log/LUT state. |
| Deep reference: Handbook pp. 68-127, 171-198, 241-258, and 349-352. Audio: external guide. |
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4. Recipe: Two-Person Dialogue or Interview
| Decision area | Recipe action |
|---|---|
| Primary objective | Both people must cut together and remain intelligible. |
| Camera setup | Choose Indoor or Outdoor Cine EI card based on location; normal shutter; WB locked for continuity. |
| Aperture / depth | Use enough depth for two subjects and movement; f/4-f/5.6 is often safer than wide-open. |
| Coverage | Match contrast, color direction, background brightness, and lens choices across angles. |
| Lighting style | Feature dialogue: motivated source and continuity. Documentary interview: clean face, speed, credibility. |
| Focus | Check both planes and decide whether Face/Eye AF, Push AF, or manual is safer. |
| Audio | Use external guide; two-speaker audio failure ruins the scene faster than mild image imperfection. |
| Test | TX/person channel test if using two lavs; playback check before the real take. |
| Deep reference: Handbook pp. 86-99, 192-208, 208-223, and 241-258. Audio: external guide. |
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5. Recipe: Exterior Muted-Cinematic Dialogue
| Decision area | Recipe action |
|---|---|
| Primary objective | Clean faces and controlled highlights in natural exterior light. |
| Base ISO | Base ISO 800 for normal daylight/open shade. |
| Shutter | Keep 24p = 1/48 or 180 degrees unless stylized motion is intentional. |
| ND | Use Variable ND to hold chosen aperture; do not raise shutter just because the scene is bright. |
| Light strategy | Choose shade, negative fill, controlled background, or sun angle before fighting bad light. |
| WB | Custom WB or fixed daylight strategy based on continuity needs. Avoid ATW for controlled work. |
| Exposure tools | Balance face and highlights with waveform/zebras; do not judge by LCD alone. |
| Audio/wind | External audio guide controls wind plan, mic placement, routing, and monitoring. |
| Deep reference: Handbook pp. 82-86, 112-127, 196-206, and 352-356. Audio: external guide. |
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6. Recipe: Documentary Sit-Down
| Decision area | Recipe action |
|---|---|
| Primary objective | Credible person, clean speech, controlled background, fast safe setup. |
| Camera setup | Use Indoor/Outdoor card as location dictates. Record clean S-Log3; monitoring LUT for normal viewing. |
| Lighting | Clean face first. Background second. Style third. |
| Background | Remove clutter, tame bright color, control practicals, separate subject from wall. |
| Focus | Stable face/eye focus; avoid hunting during emotional answers. |
| WB | Lock under actual interview key/face light. |
| Audio | Treat as mission-critical; external guide is authority. |
| Logging | Use project/reel/clip log so interview selects survive post. |
| Deep reference: Handbook pp. 208-223, 241-258, 273-289, and 362-364. Audio: external guide. |
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7. Recipe: Documentary Run-and-Gun
| Decision area | Recipe action |
|---|---|
| Primary objective | Reliability and truthfulness under time pressure. |
| Exposure approach | Protect face and highlights; use waveform/zebras whenever possible. |
| Auto ND | Use only when speed requires it; understand when control has been surrendered. |
| WB | Use fixed daylight/preset or practical compromise when custom WB is too slow, but avoid random drift when possible. |
| Focus | Use Face/Eye AF, Push AF, or manual deliberately. Do not let the camera hunt through a moment. |
| Look | Do not force stylization. Credible image beats fake muted look. |
| Audio | Stop if audio is unverified; documentary moments cannot be recreated. |
| Media | Keep reel/card identity simple and logged under pressure. |
| Deep reference: Handbook pp. 214-220, 241-258, and 284-296. Audio: external guide. |
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8. Recipe: Offload / Import / Proxy / Archive
| Stage | Recipe action |
|---|---|
| Before offload | Confirm reel/card ID, project folder, enough drive space, and two-backup plan. |
| Copy | Copy full card folder structure. Do not dump loose MXF files into a flat folder. |
| Verify | Check copy completion, folder structure, file count/size where possible, and playback of sample clips. |
| Second backup | Make a second independent backup before formatting media. |
| Log | Record reel, physical card ID, clip ranges, backup status, and notes. |
| Import | Import full reel folders into Resolve/Premiere; build organized bins. |
| Audio inspection | Inspect left/right/split channels before cutting or syncing. |
| Proxy | Create proxies if needed; track which clips have proxies. |
| Archive | Preserve originals, audio originals, project files, exports, logs, LUT/settings notes, and final deliverables. |
| Deep reference: Handbook pp. 259-339 and Appendices I-K. Audio originals: external guide plus post workflow. |
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9. First 60 Seconds on Set
Load or confirm ALL File.
Confirm physical switches.
Confirm RĂ˜DE/external audio mode through the external audio guide.
Confirm Cable Techniques routing if using split mode.
Set frame rate and recording format.
Set Cine EI / Base ISO / EI.
Set white balance.
Set shutter.
Set aperture.
Set ND.
Set monitoring LUT and confirm Internal Rec MLUT status.
Check waveform/zebras.
Check focus.
Check media/reel/card identity.
Record and review a 10-second test.
10. Troubleshooting Crosswalk
| Problem | First move |
|---|---|
| Image looks flat | Check LUT/MLUT monitoring. Confirm whether FX6 is sending a LUT to the display. |
| Image looks baked/overcooked | Check double-LUT and Internal Rec MLUT status. |
| Image too dark/muddy | Check waveform, Base ISO, ND, aperture, and lighting. Do not simply change monitor brightness. |
| Skin/eyes disappear | Expose and light the face cleanly; do not underexpose for mood. |
| Exterior too bright | Use ND after correct shutter/aperture; do not raise shutter casually. |
| White balance shifts | Avoid ATW; lock WB under actual key light. |
| Audio issue | Stop and use the external FX6 Audio Field Setup Guide. |
| Media confusion | Use reel/card/project ID; preserve full card structure. |
11. Source Map
| Scenario | Deep source |
|---|---|
| One-person actor reel, indoor | Handbook pp. 68-127, 171-198, 241-258, 349-352. Audio: external guide. |
| Two-person dialogue/interview | Handbook pp. 86-99, 192-208, 208-223, 241-258. Audio: external guide. |
| Exterior muted-cinematic dialogue | Handbook pp. 82-86, 112-127, 196-206, 352-356. Audio: external guide. |
| Documentary sit-down | Handbook pp. 208-223, 241-258, 273-289, 362-364. Audio: external guide. |
| Documentary run-and-gun | Handbook pp. 214-220, 241-258, 284-296. Audio: external guide. |
| Offload/import/proxy/archive | Handbook pp. 259-339 and Appendices I-K. |