Full Handbook Index Decision Tree V1
FX6 Full Handbook Index and Decision Tree V1
Extraction from FX6 Cine EI Muted-Color Shooting System - Working Baseline
| Control Note: Derived extraction document. Source project: FX6 Final Audio Settings + Cine EI Muted-Color Shooting System. Source document chain: Canonized Master TOC and Handbook V1.0 plus current Working Baseline used as extraction source. Canon source untouched. Operational audio setup is deferred to the external FX6 Audio Field Setup Guide. Pages 381-384 of the working source are ignored for extraction work. |
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| Control Item | Status / Use |
|---|---|
| Purpose | A fast routing document that tells the operator where to go in the full Handbook when a problem or task appears. |
| Scope | Camera, monitoring, muted-color, lighting, shoot-day, post/media, and audio authority routing. |
| Primary refs | Summary Guide Section 14 and Working Baseline field-map/navigation layer. |
| Master Field Rule: Expose cleanly. Light selectively. Monitor accurately. Record clean S-Log3. Grade carefully. Do not underexpose S-Log3 to create mood. |
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Manual Table of Contents
| Section | Title |
|---|---|
| 1 | Start here decision tree |
| 2 | Camera setup routing |
| 3 | Exposure / EI / ND / WB routing |
| 4 | LUT / monitor / settings-card routing |
| 5 | Muted-color visual routing |
| 6 | Scenario routing |
| 7 | Post/media routing |
| 8 | Emergency troubleshooting routing |
| 9 | Source map |
1. Start Here Decision Tree
| I need to... | Go to... |
|---|---|
| Set up one RØDE lav | External FX6 Audio Field Setup Guide for current operational audio. Historical Handbook background: one-transmitter baseline and Appendix A. |
| Set up two RØDE lavs as split tracks | External FX6 Audio Field Setup Guide. Historical background: split-track chapters and Appendix B. |
| Add a boom mic | External FX6 Audio Field Setup Guide. Historical background: boom setup and Appendix C. |
| Set Cine EI indoor shooting | White balance, ND, shutter/aperture, focus, exposure monitoring, Base ISO/EI, Indoor card / Appendix D. |
| Set Cine EI outdoor shooting | Outdoor ND workflow, exposure tools, outdoor Base ISO choices, Outdoor card / Appendix E. |
| Verify LUT / monitor | LUT/MLUT monitoring setup and external monitoring chapters. |
| Save/load FX6 settings | ALL/User/Scene files and settings-card checklist. |
| Shoot muted cinematic look | Muted-color rule set plus actor reel/feature/documentary lighting chapters. |
| Run pre-shoot / shoot-day checklist | Pre-shoot checklist and master shoot-day workflow. |
| Offload media safely | Full-card offload integrity and Appendix J. |
| Import into Resolve/Premiere | Resolve/Premiere workflow and Appendix K. |
2. Camera Setup Routing
| Question | Handbook route |
|---|---|
| What should the camera record? | Cine EI camera baseline; S-Gamut3.Cine/S-Log3; recording format chapters. |
| What frame rate / shutter should I use? | Recording format and shutter/aperture chapters; normal 23.98/24p = 1/48 or 180 degrees. |
| Which aperture is safe? | Shutter/aperture chapter and indoor/outdoor quick references. |
| How do I avoid focus failure? | Focus chapter, focus magnifier, peaking, Face/Eye AF, Push AF, and near-eye rules. |
| Which Base ISO? | Cine EI, Base ISO, and EI workflow chapter. |
| Do physical switches matter? | Start-of-shoot checklist; physical switches are not fully replaced by files/settings. |
3. Exposure / EI / ND / WB Routing
| Problem | First route |
|---|---|
| Indoor too dark | Indoor Cine EI card; Base ISO choices; add/control light before starving S-Log3. |
| Outdoor too bright | Outdoor Cine EI card; Variable ND; do not raise shutter casually. |
| Skin too dark or muddy | Exposure monitoring; muted-color warnings; do not underexpose for mood. |
| White balance changing | White balance external controls; avoid ATW for controlled work; lock A/B/Preset. |
| Mixed room light looks ugly | White balance philosophy and lighting chapters; fix light before pretending WB can solve everything. |
| EI confusing | Cine EI versus normal ISO; EI as exposure-rating / monitoring decision. |
4. LUT / Monitor / Settings-Card Routing
| Problem | First route |
|---|---|
| Image looks flat | Check LUT/MLUT monitoring setup. Confirm whether the display is receiving a LUT. |
| Image looks baked | Check double-LUT warning and Internal Rec MLUT status. |
| External monitor looks wrong | External monitoring chapter; decide whether FX6 or monitor applies LUT, not both. |
| Need to save camera settings | ALL/User/Scene files and settings card chapters. |
| Need to preserve LUTs | LUT acquisition/import and settings-card discipline. |
| Camera state uncertain after load | Start-of-shoot checklist; files do not save every physical/external state. |
5. Muted-Color Visual Routing
| Question | Go to... |
|---|---|
| What is the muted look? | Project definition and muted-color visual method. |
| What is the look not? | Warnings against underexposure, dead skin, random LUTs, and over-grading. |
| How do I light an actor reel? | Actor reel lighting chapter and Appendix F. |
| How do I light feature dialogue? | Feature scene lighting chapter and Appendix G. |
| How do I light documentary interviews? | Documentary lighting chapter and Appendix H. |
| How do lens/movement/design affect the look? | Lens, movement, and production design chapters. |
| Visual routing rule: If the solution is only "make the image darker," you are in the wrong section. Go back to exposure, lighting, and production design. |
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6. Scenario Routing
| Scenario | Route |
|---|---|
| One-person actor reel, indoor | Indoor Cine EI card; muted-color rules; actor-reel lighting; focus near eye; record/review test. |
| Two-person dialogue/interview | Indoor or outdoor card; two-person aperture/depth; matching coverage; documentary or feature lighting depending style. |
| Exterior muted-cinematic dialogue | Outdoor card; Base ISO 800; Variable ND; face/highlight balance; exterior lighting strategy. |
| Documentary sit-down | Clean face; quick background control; truthful lighting; pre-shoot and 10-second test; field logging. |
| Documentary run-and-gun | Practical quick card; Auto ND only when necessary; protect face; verify WB/exposure/focus repeatedly. |
| Offload / import / proxy / archive | Full-card copy; no flat MXF dump; verify before format; use proxies if needed; preserve originals. |
7. Post / Media Routing
| Need | Route |
|---|---|
| Name reels/cards/clips | File naming and logging chapters; Appendix I. |
| Copy cards safely | Offload and backup chapter; Appendix J. |
| Handle large cards | Large Card / 400GB Footage Management chapter. |
| Import into Resolve or Premiere | Resolve/Premiere import and audio-channel workflow chapter; Appendix K. |
| Create proxies | Proxy, storage, and archive planning chapter. |
| Build final archive | Archive planning and deliverables/templates chapter. |
| Use logs/templates | Created deliverables and templates chapter. |
8. Emergency Troubleshooting Routing
| Problem | First move | Then go to... |
|---|---|---|
| Audio problem | Stop and use external FX6 Audio Field Setup Guide. | Historical audio background only if needed. |
| Flat monitor | Check LUT/MLUT state. | LUT/monitor chapters. |
| Baked look | Check double-LUT and Internal Rec MLUT. | LUT/monitor/settings-card chapters. |
| Dark/muddy image | Check waveform, Base ISO, ND, aperture, and lighting. | Exposure/EI and muted-color chapters. |
| Eyes/skin disappear | Expose and light face cleanly. | Actor/doc lighting and muted-color chapters. |
| Outdoor brightness problem | Use ND, not casual shutter change. | Outdoor Cine EI card. |
| WB shifts | Lock WB under actual key light. | White balance chapter. |
| Media confusion | Stop flattening; identify reel/card/project. | File naming/offload/import chapters. |
9. Source Map
| Topic | Handbook source area |
|---|---|
| Project purpose / doctrine | Chapters 1-2, pp. 2-18. |
| Audio background only | Chapters 3-9 and Appendices A-C; operational use deferred to external Audio Field Setup Guide. |
| Camera controls | Chapters 10-18, pp. 68-141. |
| LUT / monitor / settings card | Chapters 19-22, pp. 142-170. |
| Muted-color visual method | Chapter 23, pp. 171-188. |
| Actor reel lighting | Chapter 24 and Appendix F. |
| Feature scene lighting | Chapter 25 and Appendix G. |
| Documentary lighting | Chapter 26 and Appendix H. |
| Lens/movement/production design | Chapters 27-28, pp. 224-240. |
| Pre-shoot / shoot-day workflow | Chapters 29-30, pp. 241-258. |
| File/post workflow | Chapters 31-40, pp. 259-339 and Appendices I-K. |
| Ignored pages | Pages 381-384 excluded by project instruction. |